ALLISON
ARKUSH
![](https://freight.cargo.site/t/original/i/ea515261e73fd59f5492d52924927e2895e84da29eae0e296303e4ed93e7683c/1BshwkAftn.jpg)
![](https://freight.cargo.site/t/original/i/67f93059efd99579cf0d48cb4c107233c8d0b0e277f5f64615eb276454d51203/17.-Bushwick-Afternoon.jpg)
Acrylic paint, oil stick, marker and collage on linen, cast gypsum-cement fence. The painting leans on hidden steel rods.
36 x 48 x 18 inches
Inspired by walking the streets of Bushwick, Brooklyn on cloudy afternoons.
I enjoy the contradictions between the wrought iron fence from which I made the mold, and the highly brittle gypsum-cement recreation. The fence becomes a memory of the original object, an effect enhanced by the imperfect edges of the resultant cast.
Fences, especially fragile fences, are a symbol I am still
working with, as seen in ‘Ceramic Fence’ slides 4, 5, 6, and 11.
36 x 48 x 18 inches
Inspired by walking the streets of Bushwick, Brooklyn on cloudy afternoons.
I enjoy the contradictions between the wrought iron fence from which I made the mold, and the highly brittle gypsum-cement recreation. The fence becomes a memory of the original object, an effect enhanced by the imperfect edges of the resultant cast.
Fences, especially fragile fences, are a symbol I am still
working with, as seen in ‘Ceramic Fence’ slides 4, 5, 6, and 11.
![](https://freight.cargo.site/t/original/i/bc343b66fc0c3f06caa8a859356b7548389b80d8199a9e7d7bea1d179ba23ac2/BshwkAftn07.jpg)
![](https://freight.cargo.site/t/original/i/26388957a8e0cbd8b47e535fb2bb05358de0c2b5a6f0721582aabaa2551face4/BshwkAftn04.jpg)
![](https://freight.cargo.site/t/original/i/cc89f89397d643b8df124bcdf3dc095661f648eca95f70080efa55523c81c5a1/BshwkAftn05.jpg)
![](https://freight.cargo.site/t/original/i/b6e662ac6217a6b96ede8c7a454c19d5875824be00fdf864b3c581026e07575c/BshwkAftn03.jpg)
![](https://freight.cargo.site/t/original/i/beae5e92ef5c56fd048ae4a2b73fc8734b59f6ca6d0545ea18d4e4045643e97e/BshwkAftn06.jpg)